pj-harvey

Whenever an artist goes on tour, every fan is coming up with her or his own personal wishlist of what songs they want to hear. There are the expected hits and the new album tracks, but what else will be performed? Will there be a live debut of an old album track? Will a b-side be brushed off for the first time in a decade? These are the songs that deserve a comeback. This is “Play It Live!”

With her new album, The Hope Six Demolition Project, PJ Harvey is set to embark on her first tour in four years. Now on her ninth album, there are tons of songs that are due for a resurgence. Given the heavier and rougher vibe found on her latest LP, some of her older, blues and punk-inspired tracks may fit better with the new material than Let England Shake. With her tour set to kick off in France on June 1, here are 10 songs that I hope will make an appearance.

A Perfect Day Elise
Last Played In: 2004
Is This Desire? is one of Harvey’s most underrated works and A Perfect Day Elise is one of the record’s masterpieces. With an almost beatbox rhythm and shimmering guitar, it signaled an evolution from the in-your-face blues of To Bring You My Love. When Harvey rises above the claustrophobic musical atmosphere for the chorus, it’s an instantly memorable moment. Many casual fans may not be familiar with this song or this record. A comeback here would give Harvey a chance to fix that.

Good Fortune
Last Played In: 2010
It’s no surprise to anyone going to a PJ Harvey show that it can get a bit intense, particularly given the lyrical source of the last two albums. So, what better way to add a sense of relief than with this pop-rock song that is one of the catchiest Harvey has ever written. With lines about Chinatown, Little Italy and the like, it should at least make an appearance when she plays New York City.

Legs
Last Played In: 2003
A weird, distorted mess that’s insanely captivating. That’s the best way to describe this Rid of Me track. There’s a reason it kept popping up in Harvey’s live show for 10 years. The vocal, which has her screaming, crying, yodeling and ripping her voice apart, may be tough for Harvey to pull off nowadays, but in the right spot, it could be a devastating throwback to her early days.

Long Snake Moan
Last Played In: 1995
How has this song been missing from Harvey’s set for so long? To put it simply, it fucking rocks. With an incredibly-fuzzed out groove and a leathery vocal, it’s easily one of the most overlooked pieces in her catalog. Given that Harvey brought the distorted guitars back for her latest album, there’s no reason why this song shouldn’t return with them. Did I mention that it fucking rocks?

Shame
Last Played In: 2010
This Uh Huh Her track is all about Harvey’s delivery, jumping from a deep growl to a high-pitched, panicked yelp. In the meantime, guitar chords form a taut rhythm and a harmonica jitters along. This would be a great, quick pick to slow things down while keeping a crowd’s rapt attention.

Who the Fuck?
Last Played In: 2010
The Hope Six Demolition Project contains some of the heaviest and most aggressive songs she’s written since Uh Huh Her. So what better time to revive the kiss-off of Who the Fuck? With a squawking guitar riff that almost sounds out-of-tune and Harvey’s curse-laden rant, it’s a fan favorite that will get anyone’s blood pressure rising. Her last two albums deal some weighty themes. Give the crowd and band a chance to shake the spectre off.

The Whores Hustle and the Hustlers Whore
Last Played In: 2010
While much of The Hope Six Demolition Project focuses on war-torn locations like Kosovo and Afghanistan, a good portion of the record looks at the social strife found in Washington D.C. Given that most of Harvey’s discography focuses more on the personal and has only recently swung political, let’s split the difference with this abrasive track from Stories From The City, Stories From The City. Among violence, drug abuse and greed, Harvey reaches out for a human connection. The message fits her new album, and would fit a current setlist, perfectly.

The Wind
Last Played In: 1998
This single from Is This Desire? hasn’t appeared since it’s initial run. That’s a shame, as it has a palpable tension, driven by Harvey’s whispering throughout the song. The vocal matches the chapel imagery, as if she’s almost alone in a church and knows anything above a whisper will reveal her confession to strangers. This track would fit right alongside the spiritual hymn of River Anacostia from her last LP.

Working for the Man
Last Played In: 2004
With a slinking, shaking bass line and a creepy guitar melody, this is definitely one of Harvey’s creepiest numbers. Her half-whispered, half-moaned vocals only add to sense of foreboding, like she’s trying to get you to lean in and listen, but you’re scared of what will happen if you do. Maybe such a quiet, offputting piece won’t work for a festival. But for a club? All Harvey needs to do is turn out the lights, play the song and let the crowd’s imagination do the rest.

You Come Through
Last Played In: 2004
With a clattering, naturalistic rhythm and an accordion humming in the background, this is one of Uh Huh Her’s most unexpected treasures. It truly sounds unique in Harvey’s catalog. With so many songs to choose from for a live set, it makes sense to bring back one that truly stands alone in instrumentation and vibe.